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MLA International Bibliography is the definitive literary research database, indexing the most authoritative Marianne Moore scholarship published in books and academic journals. MLA indexes and links to the entire JSTOR literary research collection as well as linking to many other full-text providers and the Colby College Libraries catalog. If you discover books or articles through MLA that are not available at Colby or through our lending partners, please request these items using your ILLiad Account.
Becoming Marianne Moore (2002) by Marianne Moore; Robin G. Schulze (Editor)Throughout her lifetime, Marianne Moore was an avid editor of her own verse. The bulk of her poems appear in numerous, at times vastly different published versions. For Moore, no text was ever stable or finished; each opportunity to publish offered an opportunity to revise. Becoming Marianne Moore gives scholars and readers access to the multiple variant versions of Moore's poems published between 1907 and 1924. An innovative, deeply contextualized facsimile edition of the poet's published early verse, it brilliantly demonstrates that modernist textuality is not a fixed, static product but an ongoing, fluid process. Becoming Marianne Moore offers readers a full facsimile reprint of the first edition of Observations (1924), the book that garnered Moore the Dial Award for Literature and solidified her reputation as a modernist poet of note. The reprint is followed by a collection of facsimiles that presents each of Moore's poems published between 1907 and 1924 as it first appeared in a modernist little magazine. Each facsimile is accompanied by a variorum table that gives scholars quick access to all of the published changes that Moore made to each poem and a series of brief bibliographical notes that supply information about the immediate publication contexts of all of the presentations of the poem. These notes, in turn, point readers to narrative accounts of Moore's associations with her early publishers that offer a range of historical, contextual, biographical, and bibliographic information about the publication events of Moore's poems and explore her attempts to shape her literary career in concert with some of her most famous modernist peers--Richard Aldington, H.D., Harriet Monroe, Ezra Pound, and William Carlos Williams. A wonderful fusion of historical research and critical sensitivity, Becoming Marianne Moore will change the way people think about Moore's verse and modernist textuality in general. A powerful intervention into Moore studies, it gives readers a broader sense of the poet's complex and brilliant career.
Call Number: Miller PS3525.O5616 A6 2002
The Selected Letters of Marianne Moore (1977) by Bonnie Costello (Editor); Celeste Goodridge (Editor); Cristanne Miller (Editor); Marianne MooreIn her introduction, Bonnie Costello writes: On July 9, 1959, T. S. Eliot wrote to Marianne Moore: "One of the books which obviously must in the fullness of time be published . . . will be the Letters of Marianne Moore." We are pleased to fulfill his prediction. Marianne Moore's correspondence makes up the largest and most broadly significant collection of any modern poet. It documents the first two-thirds of this century, reflecting shifts from Victorian to modernist culture, the experience of the two world wars, the Depression and postwar prosperity, and the changing face of the arts in America and Europe. Moore wrote letters daily for most of her life--long, intense letters to friends and family; shorter, but always distinctive letters to an ever-widening circle of acquaintances and fans. At the height of her celebrity, she would occasionally write as many as fifty letters a day. Both Moore and her correspondents appreciated the value of their exchange, so that an extraordinary number of letters, approximately thirty thousand, have been preserved . . . It is Moore's poetry that draws us to her letters, of course. But in making this selection we have tried to present the life and mind of a woman whose interests extended to all the arts, to religion, politics, and psychology, to fashion, sports, and the domestic arts, moving freely between high culture and popular culture, and whose family and friendships remained as important as her professional life. Moore's correspondence is unique in the extent of its extraliterary interests and passionate engagement with the world at large. From her college adventures, her travels, and the flurry of her artistic and social activities, there seems to have been no lull. What has struck us most in reading through Moore's letters is the vitality and fullness of the long life they record.